"To be actively pro-life is to contribute to the renewal of society through the promotion of the common good. It is impossible to further the common good without acknowledging and defending the right to life, upon which all the other inalienable rights of individuals are founded and from which they develop." ~ Pope John Paul II, The Gospel of Life, n.101
Everything is grace, everything is the direct effect of our Father's love.Everything is grace because everything is God's gift.Whatever be the character of life or its unexpected events -- to the heart that loves, all is well.
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Amazing Catechists and Catholic Mom Puppet Show Ministry
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"PH, NC, RT, IT, O, H+, R+, T, C, NLU, AM, BS, F... Take that, Catholic Fire! You think you can curse us with your Latin language stuff? Well, try this on for size: May your life-spirit be exchanged with that of an polar bear who has just been stranded on an ice-floe that broke off because of global warming!" Father Tim, Spirit of Vatican 2
Bl. John of Fiesole, popularly known as Bl. Fra Angelico, was a Dominican painter in the mid-fifteenth century known for the beauty of his paintings and the holiness of his priestly life. Nicknamed “Angelico” by his brothers, his Dominican consecration and life are worthy of imitation as he preached Jesus Christ by his life, his words, and his paintings.
Given the name Guido at Baptism, this saint was born near Vicchio, in the vicinity of Florence, at the end of the 14th century. From his youth he practiced the art of painting. Having entered the Dominican convent in Fiesole, he was given the name Brother Giovanni (Brother John). After ordination he held various responsibilities, one of which was that of prior of the convent in Fiesole.
Faithful to the promises he made as a Dominican, to preach the Gospel after having contemplated it in prayer, Fra Angelico put his creativity at the disposal of the Lord. With brush and paint in hand, he used his talents to transmit to all people the sublimity and the redemptive strength of the divine mysteries.
Between 1425 and 1447, Fra Angelico carried out his activity for the Dominican convents and other ecclesiastical institutes at Fiesole, Florence (most especially at the convent of San Marco), Cortona and Orvieto. The fame of his genius merited him the esteem of the Sovereign Pontiffs Eugenio IV and Nicolas V, who contracted him for the task of frescoing several rooms in the Vatican Palace (1445-1449).
Fra Angelico died on February 18, 1455, in the convent of Santa Maria Sopra Minerva in Rome and was buried in the adjoining Basilica, where his body was covered by a simple slab on which was carved his portrait. With a personality that was uncomplicated and clear, Brother Giovanni had lived a poor and humble life, refusing honors and positions.
The virtue and the profound religious spirit which characterized the life of this artist and Dominican is reflected in his spirituality, his purity, and the luminosity of his art. Even before his official recognition as a blessed of the Church, he had been given by the faithful the title “Beato Angelico.” In a moving ceremony on October 18, 1984, Pope John Paul II, on his knees in front of Fra Angelico’s tomb, proclaimed him solemnly to be the universal patron of all artists.
The Incarnation was one of Fra Angelico’s favorite themes, and he painted over 25 variations of it. His painted meditations, so needed at the time of the early Renaissance, are still necessary today. God became man to bring us closer to Himself by way of all things human. He makes all things new by fashioning them into possible vehicles of grace for us, so that by visible realities and concrete concepts, we can arrive at an understanding and a love of higher, invisible realities, all leading to God Himself.
Video: Scenes from San Marco, Florence, painted by the Dominican Friar Fra Angelico (died 1455), Blessed John of Fiesole, patron of artists. Father Michael Morris, O.P., writes in Magnificat, February 2010: "While living at the Dominican house of San Marco in Florence, Fra Angelico painted in each friar's cell a scene drawn from Scripture and tradition, a pictorial representation that would inspire the occupant to pray in the manner of the order's founder, Saint Dominic. The frescoes are an eloquent expression of the order's spirituality, a testament to the potent blending of image and prayer."
I had the wonderful opportunity of viewing these paintings when I visited Florence in 2006.