Noelle, the Movie (Updated)
Noelle is a film that is scheduled to be released on December 7th and I have been hearing some very different messages about this film.
On the one hand, some individuals like the Rev Michael Bresciani in his Spero News article Noelle - A Christmas movie with a healing message praises it highly, telling us that "Noëlle has the ear markings and promise of a classic film not just for Christmas but for all time and for any time", while others like Catholic League President Bill Donohue dispute the claim that the movie is merely “a parable of forgiveness and grace”
Here is what Donohue has to say about it:
“We’ve seen the movie and it’s a gem. In the synopsis provided by Gener8Xion, it accurately describes Jonathan Keene as ‘a young Catholic priest seemingly devoid of genuine human emotion’; his job is ‘to do what he does best: shut down a failing parish.’ Then there is ‘the child-like Fr. Simeon Joyce, a faithful but disillusioned priest who blatantly disregards church regulations, uses church monies to pay an old fisherman’s medical bills and spends most of his time drinking at the local pub.’ Both priests are portrayed as losers.
“Viewers learn that the only reason Fr. Keene became a priest is because he felt guilty about getting a girl pregnant when he was in college; to top things off, he pressured her to have an abortion. Fr. Joyce, the alcoholic, has serious reservations about celibacy and his idea of heaven is a jolly good Christmas party. Fr. Joyce tells Fr. Keene he wants to marry a woman named Marjorie so he can help raise her illegitimate kid, saying he ‘made a vow to God not to the Church.’ But Fr. Keene, a first-class klutz, is also in love with the same woman: he is shown bolting in the middle of Midnight Mass to be with her, knocking over a filled chalice and ripping off his vestments.
“Throughout the film, confession is trivialized, celibacy is ridiculed, the Virgin Mary is disrespected, nuns are belittled, last rites are mocked, and priestly vocations are caricatured. In short, that which is uniquely Catholic is trashed. However, the plot and the acting are so deliriously absurd that it is impossible for us to get too worked up about this flick.
“It means nothing that the movie has a pro-life message. Stereotypes about Protestant ministers abound, raising the question, Why didn’t Gener8Xion choose to mock one of their own clergy? Similarly, given that the film’s writer, David Hall, has said that his primary interest was in ‘dealing with hypocrisy,’ why didn’t he consult with Sen. Charles Grassley about all those ‘prosperity church’ pastors being investigated for ripping off their flock? We know why, and that’s why the Catholic League exists.”
Update
Catholic News Agency: New “Christian” film denigrates Catholicism
I totally disagree that the Catholic Church is mocked in any way in the movie from what I have seen. If anything the movie does the opposite. The Virgin Mary is not mocked, in fact she is exalted by father Keene in the movie. It is a non catholic person in the movie that does not believe but in the end she finds it. David Wall was not talking about dealing with hypocrisy in the Catholic Church, but hypocrisy as humans. The problem is all the things you think he is disrespecting or misrepresenting about "The Catholic Church" is portrayed because his heart is not in it. He realized he was an imposter and a hypocrite himself by living a lie as a priest. Meanwhile, the other priest comes to realize why he really became a priest and the reason he loved it in the first place. It is a great movie that uses priests as "characters". It is a movie that in fact praises the people, the Church and God in the end. It is a story of sin and forgiveness. It is wonderful for the whole family.
ReplyDeleteGreetings
ReplyDeleteI too find it interesting the different views - hence our posting both of those "visions" at Spero.
I would encourage any others out there with thoughts on this film to comment here, as it's a great forum to not only debate the merits of the film, but also whether or not it delves in anti-Catholicism, and what is the definition of such.
Great blog Jean.
Paz
A good friend who is Protestant shared an email about this movie. I was reluctant to to pass it along because I did want to hear what Catholics thought of the movie. I guess the only way to say for sure (in reading anonymous' comment) is to see it for ourselves.
ReplyDeleteI have noticed TBN is promoting this movie pretty heavily. It seemed strange to me that a Protestant Christian network is giving so much promotion to a movie that appears to genuinely present Catholic life...your postings are helping me to see why. It sounds like behind the trailers is a movie that attempts to dissuade people from Catholic Faith. Thanks for your review. I now know not to support this movie and will try to warn others about it.
ReplyDeletePlease see Catholic Digest online for an article on Noelle for more insight into the film.
ReplyDeleteHow do you know now not to see this movie? Because one "man" in the Catholic League said so? Why doesn't the Catholic League have a Priest as the head? I am a Catholic and either way, i do not let the Catholic League decide what is best for me without making my own oppinion. I reiderate, I am a Catholic, and the Catholic League even to me most of the time is very Brasen and Hard on many things that I myself beg to differ. Happy Holidays to all. I will see it and judge for myself.
ReplyDeleteThe movie ‘Noëlle’ calls for caution
ReplyDeleteBy Anita Crane http://www.catholic.org/national/national_story.php?id=26122
12/6/2007
Celebrate Life Magazine (CLmagazine.org.)
"David Wall made Noëlle to open the eyes and break the hearts of those who are numb in apathy. Wall said that he didn’t intend for this film to be about religion, but it is. If he learns about the sacraments, maybe he will make a masterpiece." Anita Crane
STAFFORD, VA (American Life League) - The film Noëlle arrives in American theaters on December 7. On the upside, its haunting music and beautiful cinematography set the mood for a Christmas mystery in New England. Noëlle also treats viewers to a few good laughs. Finally, David Wall – Noëlle’s writer, producer, director and lead actor – is a captivating performer.
On the downside, I was disappointed by the lack of character development and the story. After all, Noëlle is painfully misleading about the Catholic faith. Yet when I spoke with David Wall, he disarmed me by saying, “Don’t take this in a negative way – if I had to join a church, it would probably be the Catholic Church.”
Of course, I had to reply, “We want you!” Then Wall and I discussed his film.
The Noëlle synopsis goes like this:
Father Jonathan Keene – a cold, impatient Catholic priest – arrives in a tiny fishing village the week before Christmas to do what he does best: shut down a dying parish. But things take an unexpected turn as he becomes entangled in the various lives of the village’s eccentric characters, including their beautiful librarian, the childlike priest he is displacing and the magical experience of Mrs. Worthington’s legendary Christmas party, where everyone is welcome and anything is possible.
The family of Wall’s wife is Catholic and their witness gives him respect for the Church. Even so, crucial details about Catholic faith and traditions were overlooked. Consequently, not one Catholic acts like a Catholic. For the purpose of this review, we’ll concentrate on the three main characters.
Father Simeon Joyce, the parish pastor and only priest in the village, is woodenly played by Sean Patrick Brennan. According to Wall, in real life Brennan is a devout Catholic. In the film, however, Fr. Joyce fails to command respect. Instead, he drinks and dances at the local pub. Therefore, everyone disregards his sacred office and calls him by his first name. Moreover, Fr. Joyce’s celebration of Mass is no Mass at all. He introduces Fr. Keene to the small, dwindling and aged congregation as a “hit man” sent by the archdiocese to shut down the church. Then Fr. Joyce continues:
Maybe he’s right. Maybe we are dead. Look around. Glass. Marble. A stone mother, her cold child. A dead man on a cross. We’re nothing but a mausoleum.
So, the character that Wall intended to be childlike actually comes off as an apostate. In reality, the climax of Mass is the consecration and reception of the Holy Eucharist, which Catholics believe to be the Real Presence of Jesus Christ Рbody, soul and divinity Рunder the appearance of bread and wine. Regardless, the two priests decide that staging a living cr̬che outside the church on Christmas Eve could bring fallen-away Catholics back to the parish and this becomes the occasion for Fr. Keene to pursue a certain woman.
Indeed, Fr. Keene pursues the only female parishioner under 60 to play Mary, the Mother of God. She is Marjorie Worthington, the single librarian, played by Wall’s wife Kerry. While most parishioners are ninnies, Marjorie is too smart to assent to the Gospel and the faith. She tells Fr. Keene of her disbelief in the virgin birth of Jesus, her opinion that priests have “a problem with women” and her affection for “Simeon,” because he doesn’t act like a priest. Nevertheless, Wall was careful to keep this unbelieving character, who attends Mass for the sake of her grandmother, away from Holy Communion. The best moment of the film is when Marjorie reveals that the sight of Fr. Keene, as a priest, was a saving grace for someone else.
Eventually, Fr. Keene learns that Marjorie is having a sexual affair with a despicable cad. When Marjorie agrees to play the Blessed Virgin, Fr. Keene breaks the seal of her grandmother’s confession by blurting out why he thinks Marjorie’s unfit for the part. Then, he further betrays his vows by telling Marjorie’s secret to Fr. Joyce.
The theme of Noëlle is supposed to reach its climax at Grandma Worthington’s annual Christmas Eve party, but I was confused. There, the two priests are erratic as they interpret various conflicts and signs, but neither discerns the truth about God, the sacraments, real love or fidelity. One priest says that the party is his idea of the Church and peace on earth. By then, we know that he wants a parishioner’s healing to justify him. Both dance with Marjorie and prepare to renounce their vows for her. Then one explains to Marjorie that he never wanted to be a priest; he became one out of guilt for having his own preborn child aborted. Afterwards, the post-abortive father, forever a priest, is granted a plausible apparition of forgiveness. Sadly, Wall then has him stumble to the wrong conclusion.
In one scene, it appears that Fr. Keene spills the Eucharistic blood and leaves it unattended. However, Wall explained ... that the priest never consecrated the wine.
David Wall made Noëlle to open the eyes and break the hearts of those who are numb in apathy. Wall said that he didn’t intend for this film to be about religion, but it is. If he learns about the sacraments, maybe he will make a masterpiece. For, as Karen Mahoney tells us in her story “How I recovered from abortion,” God is absolutely faithful to us.
At least this movie reminds us that many post-abortive parents and their family members are in need of healing and reconciliation. Thus, the Catholic Church officially welcomes them to Project Rachel. In New York, the Sisters of Life conduct retreats called Entering Canaan – Healing After Abortion. Rachel’s Vineyard Ministries, established by psychotherapist Theresa Burke, Ph.D., is flourishing nationwide.
If you choose to see Noëlle, view it cautiously in realizing that God doesn’t inspire people to break sacramental vows. With that in mind, consider how the faith was beautifully captured in a Christmas outreach by the Archdiocese of Washington, D.C. As I recall, posters on the metro trains said, “He’s not just away in a manger, He’s at your local Catholic church.” In other words, God Almighty reduced His majesty to the littleness of an embryo, then an infant and came here for the love of us. Likewise, today, the Lord Jesus Christ makes Himself vulnerable as He awaits us – fully present in the Blessed Sacrament – in Catholic churches throughout the world.
Noëlle is an independent a project of David Wall’s Volo Films and is distributed by Gener8xion Entertainment.
Anita Crane is senior editor of Celebrate Life, the magazine of American Life League.
Hmmm.
ReplyDelete"The Passion of the Christ vs Anti-Defamation League" anyone?
Sound familiar?
Anyone?
It's a MOVIE.
Go see for yourself and take in the story as a whole and THEN talk about it.
Anyone?
http://saacademy.blogspot.com
ReplyDeleteSaturday, December 08, 2007
Review: Noelle .... a different point of view
Review: Noelle, the Movie
My husband and I went and saw this movie tonight, in spite of (and maybe, because of) all the controversy that has recently been stirred up by this movie, particularly based on the Catholic League’s review of this movie. [I have yet to see any other Catholic voice review this movie; the closest was an interview in Catholic Digest, but that was not a review of the movie.]
Before I start this review, please let me say that I respect Bill Donohue and the Catholic League and all that they do to protect Catholics and Catholicism in the current American-secular climate. Based on their review of Noelle, we weren’t going to go see it … but cooler heads prevailed and we went to ensure that my husband would be able to address questions from his Catholic high school theology students.
For this review, I’ll quote directly from the December 3rd Catholic League review.
First, the Catholic League titles their review “CATHOLICISM TARRED BY CHRISTIAN FILM”. The movie we watched didn’t “tar” Catholicism. This title alone sets up an animosity that doesn’t make sense after having viewed the movie. This title sets up the preconception that somehow Gener8xion Entertainment, and the Walls and everyone else who had anything to do with this movie have a malignant intent to “dis” Catholicism. If anything, the writers, directors and actors are culpable of benign ignorance in the mistakes they make in this film – Catholic League paints it as malignant.
The Catholic League review continues:
In the synopsis provided by Gener8Xion, it accurately describes Jonathan
Keene as ‘a young Catholic priest seemingly devoid of genuine human emotion’;
his job is ‘to do what he does best: shut down a failing parish.’ Then there is
‘the child-like Fr. Simeon Joyce, a faithful but disillusioned priest who
blatantly disregards church regulations, uses church monies to pay an old
fisherman’s medical bills and spends most of his time drinking at the local
pub.’ Both priests are portrayed as losers.
Yes, Fr. Keene is a priest devoid of human emotion. He is almost an automaton character who shies from human contact and human conflict. His character is one of individualistic theology – he refuses to pray with Fr. Joyce as he says “prayer is a private thing”. And, yes, I’ve met priests over my Catholic life who appear similar to Fr. Keene. There is no mistake that this priest is a realistic characterization. I don’t think he was portrayed as a loser, but actually as more of a successful priest that confuses vocation with career in an almost corporate-sense. At one point, he tells Fr. Keene that putting on the live Nativity will bring the people back and the parish will be much more “profitable … uh, I mean productive.”
Fr. Joyce, on the other hand, is the antithesis of Fr. Keene – he loves his parish and parishioners and gives freely and completely of himself to help the parishioners. He LOVES being a priest and wants Fr. Keene to “believe” as he does. He most certainly is not portrayed as a “loser” but more as someone who thinks his battle is over and he has ALMOST lost but will give it “one more shot”. Yes, he gives parish money to help a fisherman who is very sick which is clearly against what a pastor should do; but Fr. Joyce is the kind of priest who thinks more of the people than the surroundings or the rules. Fr. Joyce’s mistake is in becoming too chummy with the parishioners and crossing the boundary between the pastor and his parish.
This movie shows two very different priests: the one who is too conscious of the job and not the vocation and the other who is just a bit too chummy with his townspeople, trying to get them to come back to the church. Both have problems, both are human, but neither are “losers”. Further, ALL priests are not one of these two “types”; just like all homeschoolers are different, all Catholics are different and all people are different – that’s the way God wants it.
The Catholic League review continues:
Viewers learn that the only reason Fr. Keene became a priest is because he
felt guilty about getting a girl pregnant when he was in college; to top things
off, he pressured her to have an abortion.
Yes, Fr. Keene probably does not have a true vocation. He mistakenly not only converts to Catholicism but also becomes a priest based on his guilt over encouraging his girlfriend to have an abortion. As Fr. Joyce points out though, “Being a priest is a privilege not a penance,” a statement that gets Fr. Keene thinking. Showing Fr. Keene as having an impediment to his vows opens the door for possible laicization … at least that’s the way I saw it.
The Catholic League:
Fr. Joyce, the alcoholic, has serious reservations about celibacy and his
idea of heaven is a jolly good Christmas party. Fr. Joyce tells Fr. Keene he
wants to marry a woman named Marjorie so he can help raise her illegitimate kid,
saying he ‘made a vow to God not to the Church.’
Fr. Joyce, the self-sacrificing priest, is not portrayed as an alcoholic but one who goes to the people in the pub to pastor his flock. He does drink but not necessarily to excess and I didn’t get the impression that he was an alcoholic but a priest who drinks with his parishioners as Jesus ate with tax collectors. I took Fr. Joyce’s decision to marry Marjorie as yet another act of self-sacrifice to help his parishioners – she was in trouble, he didn’t want her to abort the baby, so he decides that the only way to help her is to marry her. Fr. Joyce is in a very emotional state at this point – feeling let-down by his Church and vocation – and doesn’t realize the grave mortal sin he’d incur on himself should he leave the priesthood to marry Marjorie as he plainly has a priestly vocation. Nowhere does the movie imply that he is in love with Marjorie or WANTS to leave the priesthood. The “jolly good Christmas party” is because he finally sees his parishioners enjoying working on a Christmas play and he’s happy for them.
The Catholic League review continues:
But Fr. Keene, a first-class klutz, is also in love with the same woman: he
is shown bolting in the middle of Midnight Mass to be with her, knocking over a
filled chalice and ripping off his vestments.
Fr. Keene has been through a very emotional scene where his righteous anger for the corrupting of the innocent gets the better of him. Shortly after that, the movie shifts to Fr. Keene preparing for Midnight Mass and beginning to celebrate Mass. But the scene is one where you can’t determine if he is just starting the consecration or if Jesus is truly present in the body and blood. Reading this portion of the Catholic League review leads you to assume a scene where Mass is full of people, Fr. Keene “flips out”, leaves Mass, spilling the precious Body and Blood. This is not how this scene plays out. Fr. Keene is prepping for Midnight Mass that no one attends. Suddenly, as if the Holy Spirit told Fr. Keene that Marjorie was in trouble and needed help, Fr. Keene leaves the altar – but his spilling of the wine before the consecration would not be a trivialization of the consecration or the transubstantiation.
The Catholic League review concludes:
Throughout the film, confession is trivialized, celibacy is ridiculed, the
Virgin Mary is disrespected, nuns are belittled, last rites are mocked, and
priestly vocations are caricatured. In short, that which is uniquely Catholic is
trashed.
At this point, I’m not sure the Catholic League and I were watching the same movie.
· Confession is not trivialized but instead the confessional becomes a place of drama where the parishioners feel real remorse and come to confess that they haven’t been true to Fr. Joyce and have let him down. This humbling act is not “trivial”. When the grandmother confesses her hatred of her granddaughter’s seducer, she clearly wants to be absolved of this hatred. Fr. Keene, who is not “a people priest” as he himself explains, does not act appropriately in the confessional, but that’s his character.
· Celibacy is never ridiculed in the version I saw.
· The Blessed Mother is dealt with in Protestant terms or in terms for an unbeliever, which at this point is what Marjorie is. She doesn’t have the faith formation necessary to clearly understand the Catholic doctrine of virgin birth. She is also in highly emotional situation and not thinking clearly.
· When were nuns belittled? If the Catholic League means the scene where Marjorie says “so you can send the baby to a monastery where the nuns never wanted to be mothers”. I took this as Marjorie lashing out and trying to anger Fr. Keene.
· Last rites were not mocked, but Marjorie does make a joke as she tries to lighten the mood whilst recovering from having passed out and while she is in premature labor. How many women in the midst of labor contractions don’t make flippant remarks?
One of the last phrases in the review really got me:
It means nothing that the movie has a pro-life message.
I have to strongly disagree with this comment. I think it means everything that there is a strong pro-life message in this movie marketed to the secular and religious movie-goer. I think it’s very important that this movie shows the guilt the father feels when he talks his partner into an abortion … a guilt that can have life-long consequences, a guilt that is rarely portrayed (but rather, the illegitimate father is usually shown walking away with no feelings of remorse or guilt). I think it’s very important that Marjorie WANTS to keep her baby but doesn’t know how that is possible and feels pushed to abort but stops whenever she sees the priest. I think it’s very important that Fr. Joyce is willing to give up his own wishes, to lay down his life, to save his parishioner from committing a mortal sin.
I’m saddened that so many of my very good Catholic friends and colleagues want to take the Catholic League’s review and decide not to give this movie a chance. So much of the talk on-line about this movie has been so negative and yet no one had seen it. Judging without full knowledge is such a waste … and could cause movies like this one – that is trying to do the good – to flop whilst movies like The Golden Compass are box office hits.
Please understand that this review is MY opinion/interpretation of Noelle. It is far different from the Catholic League review. Your take on the movie may be somewhere in between the two reviews. But don’t just assume …. go see it yourself! I don't think I'd take younger children to see it, but teens and older could take away alot from this movie and be able to "talk to" some interesting questions.
Posted by Mary G at 6:57 AM 3 comments Links to this post
Labels: Catholic League, movies, Noelle, review
To all those who have left comments without having even seen the movie, I urge you to see the movie and then leave your comments. It is inappropriate and unreasonable to condemn and denegrate someone or something before even having heard what they say. The movie is briefly summarized below from the producers.
ReplyDelete"The Movie "Noëlle" Takes Its Place Among the Classics
The Movie "Noëlle" Takes Its Place Among the Classics
Gener8Xion Entertainment Presents Age-old Christian Message to a Contemporary World.
LOS ANGELES --- Gener8Xion Entertainment, Inc. (OTC Bulletin Board: GNXE News), a fully integrated family/faith-based entertainment company, recently announced the release of Noëlle. Opening in selected cities nationwide on December 7th, Noëlle is an enchanting, powerful, and entertaining family drama that highlights Christianity's most important message for today¹s contemporary world. In the process, it rises far above the where, when and how of Christ¹s birth, choosing to focus on the all-important why of the Saviors arrival on earth.
Noëlle is set against the backdrop of a sleepy winter bound New England town. Writer, director, and actor David Wall has masterfully merged drama, comedy, romance, and mystery into his story. Through savvy writing skills, Wall weaves all the elements of this heart warming movie into a single inspirational, all-important twenty-first century theme: everyone deserves a second chance.
With the parishioners drifting away from the church, the minister (Sean Patrick Brennan) is found fraternizing with the townsfolk everywhere but inside the church. When administrator Jonathan Keene (David Wall) arrives to shut down the faltering place of worship, he gets caught up with the town¹s colorful mêlée of characters, but remains set on his task to pull the plug on the waning church.
³Surrounded by eccentric and hilarious characters that will eventually turn his world upside down, Keene ends up not only questioning his brittle faith, but grappling with it as well,² says Wall.
When Keene meets the town librarian Marjorie Worthington (Kerry Wall), he begins to be plagued by the sins of his past. Haunting, recurring visions of an angelic, messenger child begin to ripple the still waters of the Scrooge-like façade that has taken Keene years to develop.
In a highly charged and powerful ending, this film presents the greatest lesson the Bible has to offer in a visually stunning, and heart-rending way that is sure to leave no viewer unmoved. Noëlle is the must see film of this year¹s holiday season.
About Gener8Xion Entertainment
Gener8Xion Entertainment, Inc. (OTC BB:GNXE.OB - News) is an integrated media company engaged in various operating activities including feature film and television production and distribution, sales and rentals of film and video equipment, systems integration and studio facility management. CEO and Chairman of Gener8Xion Entertainment, Inc., Matthew Crouch, first won the acclaim of audiences and critics alike with 1999 runaway hit The Omega Code, named that year¹s top limited release motion picture by Hollywood's Daily Variety. Warner Brothers called The Omega Code the grandfather of inspirational movies. In 2006, One Night With The King, eclipsed Omega in beauty, drama, and inspiration. Interested investors are invited to visit the following web page to request an investor relations kit, receive GNXE press releases by email immediately upon release, and/or have an investor relations representative contact them directly: http://8x.ir.stockpr.com/request_info
For more information, please visit www.8x.com or www.noellethemovie.com.
Press Contact:
WDC Media
1-877-862-3600
www.wdcmedia.com"
I'm Southern Baptist and I was embarrassed that it was billed as a "Christian" movie, and especially embarrassed for the Catholic Church. The view it portrayed was that Priests are drunkards (I've never seen a movie with so much excess drinking...we're talking falling down drunk) The Priest repeated what was said to him in confessional (not being Catholic, maybe I'm confused, but I thought that was a no-no?) The pregnant woman insinuated that women become Nuns because they don't want to be mothers...the Priest stole money from the church to do what he felt was right in his own eyes. The movie is said to be about "Forgiveness." Give me a break! God forgives...not little hallucinations, and that's the only forgiveness the Priest was seeking. There was no repentance. None. In the end, the church was filled with people, who would be better off going fishing instead of attending Mass, since their Priest spends his time taking money, getting drunk, and wishing he could've got the girl before his drinking buddy got her first. God's name is used twice in the movie. (Unless the Bible has been changed, I believe that's not a suggestion, but a commandment.) I was very disappointed. Christian movie? I don't think so. I believe the Producers owe the Catholic Church an apology.
ReplyDeleteI saw the movie on a whim, not knowing anything about it. The movie is patently offensive to any faithful Catholic. Amazingly the sober comments about this film were the previous comments by a Southern Baptist. How messed up is this world when Catholics defend the movie, and Baptists defend the truth (and know amazingly more about the Catholic faith than most Catholics)? The Sacraments are offended too. If this is a Christian movie then Christians have lost the ability to discern, and if TBN is promoting it that means that they can't put away their not-so-hidden anti-Catholic bigotry long enough to see that this is no more than new age forgiveness mumbo jumbo. The enemy of my enemy is my friend.
ReplyDeleteThank you so much for making this film. I do not know who will receive this message, but I was compelled to offer this word of appreciation to you for making the movie – “Noelle”. I am a Roman Catholic priest of the Archdiocese of Seattle, Washington. Last Monday – December 10, 2007, I happened to be in Redmond, Washington (where “Noelle” is playing) on my day off, and I thought to stop by a movie theatre to see if there was anything worth seeing. It is rare that for me to go to the movies today, as there is not much I would consider worth viewing. I didn’t know what the movie “Noelle” would be about, but I took a chance that it would be a film about the Christmas season…and with the title “Noelle”, I thought it wouldn’t be a comic film about Christmas that is often in theatres at this time of the year.
ReplyDeleteMy jaw dropped when I saw the opening scene featuring a Catholic priest – “Father Keane”. Your film had me in tears all throughout; and needless to say, has touched my heart. This is the first motion picture that I have seen made in recent years about the Advent and Christmas seasons with a message of hope, forgiveness, new life, and new beginnings. These of course, are the themes that the Advent season promises, and the Christmas season celebrates. While I know “Noelle” is promoted as a Christmas season movie, I thought it was really a movie about the Advent season – that the Roman Catholic tradition celebrates as the preparatory season for Christmas. I sat in the theatre and it occurred to me that “Noelle” was really talking about Advent hope; and the personal Advents that we all experience everyday – the hopes and longings we have for forgiveness and acceptance of our sins, failures, and weaknesses.
I was so moved by your film that I preached about its message to my congregation at Mass this past Sunday. I don’t know if any of my parishioners will seek it out – because Redmond, Washington is a distance to travel from my parish, but I know if any of them do – their life will be greatly blessed. This movie is one of a kind – special, with an inspiring and reflective message.
I wish “Noelle” were playing in my parish, because I would like my congregation to experience it, but I am so thankful that I had the opportunity to see the film in Redmond, during these days of the Advent and Christmas seasons – which for me are two very busy times of the year. “Noelle” has helped to shape my own personal Advent this year with its message of hope, joy, acceptance, and forgiveness…. And for the gift of this film, I am personally, and truly thankful.
I might add that I think David Wall bears a striking resemblance to a young Robert Redford. Has anyone ever mentioned that to him? Also, I hope you will consider releasing “Noelle” on dvd after its showing in the theatres. This is a film that I think has the potential to be a classic with a timeless message for people to see, hear, and remember. I would like to be able to view it in future years to come, and share it with others.
Thank you for your time to read this message.
May you have a truly joyous celebration of Christ’s birth.
Sincerely,
The Very Rev. David L. Mayovsky
Pastor
St. Olaf Parish – Poulsbo, Washington
Thank you so much for making this film. I do not know who will receive this message, but I was compelled to offer this word of appreciation to you for making the movie – “Noelle”. I am a Roman Catholic priest of the Archdiocese of Seattle, Washington. Last Monday – December 10, 2007, I happened to be in Redmond, Washington (where “Noelle” is playing) on my day off, and I thought to stop by a movie theatre to see if there was anything worth seeing. It is rare that for me to go to the movies today, as there is not much I would consider worth viewing. I didn’t know what the movie “Noelle” would be about, but I took a chance that it would be a film about the Christmas season…and with the title “Noelle”, I thought it wouldn’t be a comic film about Christmas that is often in theatres at this time of the year.
ReplyDeleteMy jaw dropped when I saw the opening scene featuring a Catholic priest – “Father Keane”. Your film had me in tears all throughout; and needless to say, has touched my heart. This is the first motion picture that I have seen made in recent years about the Advent and Christmas seasons with a message of hope, forgiveness, new life, and new beginnings. These of course, are the themes that the Advent season promises, and the Christmas season celebrates. While I know “Noelle” is promoted as a Christmas season movie, I thought it was really a movie about the Advent season – that the Roman Catholic tradition celebrates as the preparatory season for Christmas. I sat in the theatre and it occurred to me that “Noelle” was really talking about Advent hope; and the personal Advents that we all experience everyday – the hopes and longings we have for forgiveness and acceptance of our sins, failures, and weaknesses.
I was so moved by your film that I preached about its message to my congregation at Mass this past Sunday. I don’t know if any of my parishioners will seek it out – because Redmond, Washington is a distance to travel from my parish, but I know if any of them do – their life will be greatly blessed. This movie is one of a kind – special, with an inspiring and reflective message.
I wish “Noelle” were playing in my parish, because I would like my congregation to experience it, but I am so thankful that I had the opportunity to see the film in Redmond, during these days of the Advent and Christmas seasons – which for me are two very busy times of the year. “Noelle” has helped to shape my own personal Advent this year with its message of hope, joy, acceptance, and forgiveness…. And for the gift of this film, I am personally, and truly thankful.
I might add that I think David Wall bears a striking resemblance to a young Robert Redford. Has anyone ever mentioned that to him? Also, I hope you will consider releasing “Noelle” on dvd after its showing in the theatres. This is a film that I think has the potential to be a classic with a timeless message for people to see, hear, and remember. I would like to be able to view it in future years to come, and share it with others.
Thank you for your time to read this message.
May you have a truly joyous celebration of Christ’s birth.
Sincerely,
The Very Rev. David L. Mayovsky
Pastor
St. Olaf Parish – Poulsbo, Washington